“Uphold virtue, pursue knowledge; shaped through clay, refined into vessels.”
A Ceramic Artist Specializing in Teapots
2008.09–2013.06
Studied Ceramic Art in the Department of Product and Form Design at Jingdezhen Ceramic Institute
2010.10–2012.08
Studied traditional porcelain-making and firing techniques under Zheng Laigen
2011.10–2017.07
Operated an independent ceramics studio and wood-firing studio
2017.12–Present
Instructor at The Pottery Workshop and independent ceramic artist
“I began working with ceramics shortly after entering university. It has now been sixteen or seventeen years, and this is the only profession I have ever pursued.
As a teenager, I was fascinated by fire, water, clay, and other fundamental elements of nature. I have always been drawn to understanding things at their most essential level.
That instinct continues to shape my ceramic practice. I focus intently on line, texture, and character; structure, function, and detail; as well as materials, firing, and technique—the intrinsic qualities of the vessel itself. I prefer not to tell elaborate stories about my work; instead, I let the objects themselves—their form, function, materials, and craftsmanship—remain the focus.”

“Uphold virtue, pursue knowledge; shaped through clay, refined into vessels.”
A Ceramic Artist Specializing in Teapots
2008.09–2013.06
Studied Ceramic Art in the Department of Product and Form Design at Jingdezhen Ceramic Institute
2010.10–2012.08
Studied traditional porcelain-making and firing techniques under Zheng Laigen
2011.10–2017.07
Operated an independent ceramics studio and wood-firing studio
2017.12–Present
Instructor at The Pottery Workshop and independent ceramic artist
“I began working with ceramics shortly after entering university. It has now been sixteen or seventeen years, and this is the only profession I have ever pursued.
As a teenager, I was fascinated by fire, water, clay, and other fundamental elements of nature. I have always been drawn to understanding things at their most essential level.
That instinct continues to shape my ceramic practice. I focus intently on line, texture, and character; structure, function, and detail; as well as materials, firing, and technique—the intrinsic qualities of the vessel itself. I prefer not to tell elaborate stories about my work; instead, I let the objects themselves—their form, function, materials, and craftsmanship—remain the focus.”
